Sako a jeho variace - komplex
Title Alternative:Suit and its variations- complex
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Date
2007
Authors
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Journal ISSN
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Publisher
Technická Univerzita v Liberci
Abstract
Pánske sako sa považuje za vrchol krajčírskeho umenia. Už celé storočie, od času čo ho poznáme po jeho dlhej evolúcii v dnešnej podobe, sa jeho zovňajšok nemení. Pánske sako sa vyvíjalo viac ako 400 rokov, čiže krajčíri ktorí sa na ňom podieľali, doviedli komplex entít, ktorými sú technológia a konštrukcia, do absolútnej kvality. Okrem vyššie spomínaných parametrov sa v dnešnej dobe kladie veľký doraz na materiál a estetické spracovanie "vnútra." V butikoch a salónoch stoja tieto krajčírske skvosty jednoliato ako vojaci v uniforme. No keď sa im poyrieme do "žalúdka", až vtedy zistíme akú nádheru v sebe skrývajú. Každé je iné, podľa jeho značky. Vo vnútornej kráse sa obchodníci priam pretekajú. Luxusné vypracovanie podšívky, členené do roznych tvarov lemovaných ozdobnými stuhami, so zakomponovanými vreckami rozličných druhov umocnených prešívaním, štepovaním, vyšívaním. Veľkú rolu hrá farba a kompozícia. Pánske sako hovorí zvnútra. Dámske zvonku. Žene v spoločnosti muža je prisúdená úloha vystavovať sa na obdiv. Preto na rozdiel od pánskych odevov, kde sú zaužívané tmavé a neutrálne farby, jej oblečenie je veľmi variabilné z h%ladiska farieb, materiálov a ozdob. Mojím zámerom bolo vytvorenie kolekcie kde sa nenápadne prelínajú dámske prvky s pánskymi na jednej materiálovej a farebnostnej úrovni a aby sa tento formálny odev posunul z klasickej línie do extravagantnej variácie.
Man's suit is supposed to be the top of the tailors art. During the whole century, since the time we know it after it's long evolution until today's face, it does not change itself anymore. The suit has been developing more than 400 years. Tailors who have been developing it has brough the technology and pattern to the greatest quality. Apart from the higher mentioned parametres, quality of a fabric and lining is also very important. These "tailor's kings" stay like soldiers in a shopwindow. On the other side, if we look inside the suit, we can see what kind of luxury it hides there. Every suit is different, it depends on its mark. This a great competition between traders. We can see luxurious devise of lining shaped to the various kind of shapes, decorative banding, various kinds of pockets with decorative seems and materials. Colour and composition is sort of most important things. Man's suit talks from inside. Woman's from outside. Woman accompanied with a man is like a wonder, supposed to be admired. Consequently, woman's clothes are much more variable from the view of colour, material and accesories than maan's. Man's clothe is rather darker and achromatic. My idea was creating of a collection where men and womaen elements penetrate each other at one line of material and colour that the formal cloth move itself from the classic line to the extravagant variation.
Man's suit is supposed to be the top of the tailors art. During the whole century, since the time we know it after it's long evolution until today's face, it does not change itself anymore. The suit has been developing more than 400 years. Tailors who have been developing it has brough the technology and pattern to the greatest quality. Apart from the higher mentioned parametres, quality of a fabric and lining is also very important. These "tailor's kings" stay like soldiers in a shopwindow. On the other side, if we look inside the suit, we can see what kind of luxury it hides there. Every suit is different, it depends on its mark. This a great competition between traders. We can see luxurious devise of lining shaped to the various kind of shapes, decorative banding, various kinds of pockets with decorative seems and materials. Colour and composition is sort of most important things. Man's suit talks from inside. Woman's from outside. Woman accompanied with a man is like a wonder, supposed to be admired. Consequently, woman's clothes are much more variable from the view of colour, material and accesories than maan's. Man's clothe is rather darker and achromatic. My idea was creating of a collection where men and womaen elements penetrate each other at one line of material and colour that the formal cloth move itself from the classic line to the extravagant variation.
Description
katedra: KDE; rozsah: 79
Subject(s)
sako, variácia, prelínanie, mužské prvky, ženské prvky, suit, variation, penetrating, man's elements, woman's elements