Příznaky ženského psaní ve vybraných románech Anny Marie Tilschové
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Date
2025-08-22
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Abstract
Bakalářská práce se zaměřuje na charakteristiku ženského psaní a vyhledávání jeho příznaků v románech Fany, Haldy a Alma mater české spisovatelky Anny Marie Tilschové. V prvních dvou kapitolách je problematika ženského psaní obecně představena; charakterizována jsou odlišná pojetí tohoto konceptu: tzv. écriture feminine Hélene Cixousové a ženské či "nefalogocentrické" psaní Jana Matonohy. Příznaky ženského psaní podle Jana Matonohy jsou následně identifikovány v konkrétním titulu A. M. Tilschové, a v jeho kontextu vždy zároveň detailně popsány. Obsah každého z vyjmenovaných titulů A. M. Tilschové je v rámci analýzy rovněž krátce zprostředkován. V závěru práce je prostor věnován nejen celkovému shrnutí zjištěných poznatků o konceptu ženského psaní, ale taktéž úvaze o jeho potenciálních nedostatcích či přínosech.
This bachelor's thesis focuses on characterizing the concept of women's writing and identifying its signs in the novels Fany, Haldy and Alma mater by Czech author Anna Maria Tilschová. In the first two chapters, the concept of women's writing is introduced through a general overview of its properties and different approaches - specifically écriture feminine by Hélene Cixous and women's or non-phallogocentric writing by Jan Matonoha. Signs of women's writing, as defined by Jan Matonoha, are identified in each of the three novels by A. M. Tilschová and then thoroughly described. The storyline of these novels, as well as a brief introduction to Tilschová herself, is also included. The conclusion of the thesis focuses not only on a final summary of women's writing, but also on reflecting its possible limitations and potential.
This bachelor's thesis focuses on characterizing the concept of women's writing and identifying its signs in the novels Fany, Haldy and Alma mater by Czech author Anna Maria Tilschová. In the first two chapters, the concept of women's writing is introduced through a general overview of its properties and different approaches - specifically écriture feminine by Hélene Cixous and women's or non-phallogocentric writing by Jan Matonoha. Signs of women's writing, as defined by Jan Matonoha, are identified in each of the three novels by A. M. Tilschová and then thoroughly described. The storyline of these novels, as well as a brief introduction to Tilschová herself, is also included. The conclusion of the thesis focuses not only on a final summary of women's writing, but also on reflecting its possible limitations and potential.
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ženské psaní, feministická literární teorie, falogocentrismus, falocentrismus, logocentrismus, gender, diskurz, poststrukturalismus