Téma lásky, iluze a deziluze v Dykově dramatu Zmoudření dona Quijota (1913)
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Date
2025-06-11
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Abstract
Práce se zabývá Dykovým dramatem Zmoudření dona Quijota se zvláštním přihlédnutím k tématům lásky, iluze a deziluze jakožto nejdůležitějším tématům coby do celkové významové výstavby hry. Charakterizuje literárně-historický kontext, v němž drama vznikalo, ale opírá se také o stručné poznatky k životu a tvorbě Viktora Dyka. Jejím cílem je uchopit drama strukturálně-sémioticky orientovanou metodologií a drama nejen formálně analyzovat v souladu s dobovými tendencemi, ale také interpretovat s ohledem na nosná témata lásky, iluze a deziluze.
The thesis deals with Dyk's drama The Coming to Wisdom of Don Quixote, with special attention to the themes of love, illusion, and disillusionment as the most important themes in the overall semantic construction of the play. It describes the literary-historical context from which the drama emerged and is also based on brief knowledge of the life and work of Viktor Dyk. Its aim is to grasp the drama with a structural-semiotically oriented methodology and not only to formally analyse the drama in accordance with contemporary trends, but also to interpret it regarding the main themes of love, illusion, and disillusionment.
The thesis deals with Dyk's drama The Coming to Wisdom of Don Quixote, with special attention to the themes of love, illusion, and disillusionment as the most important themes in the overall semantic construction of the play. It describes the literary-historical context from which the drama emerged and is also based on brief knowledge of the life and work of Viktor Dyk. Its aim is to grasp the drama with a structural-semiotically oriented methodology and not only to formally analyse the drama in accordance with contemporary trends, but also to interpret it regarding the main themes of love, illusion, and disillusionment.
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Viktor Dyk, Don Quijote, drama, tragédie, symbolismus, láska, iluze, deziluze, Zmoudření dona Quijota