Konstrukce umělé feminity a "ideálních" partnerek v Ex Machina a Her
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Date
2025-06-12
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Abstract
V posledních dvou desetiletích se vliv umělé inteligence na naši společnost výrazně zvýšil, což je vývoj, který se často odráží ve filmové podobě. Filmy jako Ex Machina (2014; Alex Garland) a Her (2013; Spike Jonze) vyobrazují potenciální budoucnosti technologií, zejména v kontextu uměle vytvořených žen a romancí mezi lidmi a umělou inteligencí. Tato práce si proto klade za cíl prozkoumat a porovnat tyto futuristická vyobrazení uměle vytvořených žen a robotických partnerství ve vybraných filmech (Ex Machina a Her). Teoretická část této práce popisuje znázornění robotických žen a vztahů ve sci-fi z feministické perspektivy na obrazovce. Praktická část aplikuje teoretické poznatky na vybrané filmy a analyzuje, zda zobrazení robotických ženských postav a vztahů mezi lidmi a umělou inteligencí odpovídají zavedeným stereotypům ve filmovém žánru sci-fi nebo zda jim oponují. Zvolenou metodou analýzy je analýza narativní struktury, která se zaměřuje především na děj, témata a motivy filmů.
Over the past two decades, the influence of artificial intelligence (AI) on our society has grown significantly, a development that is frequently reflected on screen. Films such as Ex Machina (2014; Alex Garland) and Her (2013; Spike Jonze) envision the potential futures of technology, particularly in the context of artificially constructed women and human-AI romances. Thus, this thesis aims to examine and compare the futuristic depictions of artificial women and robotic partnerships in the chosen movies (Ex Machina and Her). The theoretical part of this work analyses the representation of robotic women in science fiction from a feminist perspective, as well as the on-screen depictions of robotic companionships. The practical part of this work relates the theoretical insights to the selected movies and analyses whether the depictions of artificially feminine characters and human-AI relationships adhere to or challenge the established stereotypes in the science fiction genre. The chosen analysis method primarily consists of narrative structure analysis, focusing on the plot, themes, and motives of the films.
Over the past two decades, the influence of artificial intelligence (AI) on our society has grown significantly, a development that is frequently reflected on screen. Films such as Ex Machina (2014; Alex Garland) and Her (2013; Spike Jonze) envision the potential futures of technology, particularly in the context of artificially constructed women and human-AI romances. Thus, this thesis aims to examine and compare the futuristic depictions of artificial women and robotic partnerships in the chosen movies (Ex Machina and Her). The theoretical part of this work analyses the representation of robotic women in science fiction from a feminist perspective, as well as the on-screen depictions of robotic companionships. The practical part of this work relates the theoretical insights to the selected movies and analyses whether the depictions of artificially feminine characters and human-AI relationships adhere to or challenge the established stereotypes in the science fiction genre. The chosen analysis method primarily consists of narrative structure analysis, focusing on the plot, themes, and motives of the films.
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Umělá inteligence, sci-fi, Ex Machina, Her, feminismus, gender, kyborg, robotické partnerství