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Title Alternative:Multi-kanálová zvuková instalace v prostorách bývalého Libereckého lesního amfiteátru.
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Date
2024-02-19
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Abstract
Tématem a výstupem mé diplomové práce bude multi-kanálová zvuková instalace v prostorách bývalého Libereckého amfiteátru v Lidových sadech. Amfiteátr svou polohou symbolizuje hranici města a je přímým vstupem do Jizerských hor a i z pohledu architektury přímo vybízí k umělecké intervenci v samotném prostoru.
Technicky se bude jednat o instalaci 8 reproduktorů rozmístěných v různých částech amfiteátru, přičemž každý reproduktor bude reprezentován jako samostatný sonický objekt s nastavenou vlastní zvukovou kompozicí, která bude vycházet z principů generativní hudby. Zdrojem pro práci se zvukem budou autentické archivní nahrávky z doby, kdy amfiteátr fungoval. Ty budou zprocesované v estetice granulární syntézy a tape music, tak aby zdánlivě nebyl na první poslech patrný jejich původ.
Jedním z důležitých prvků instalace bude princip otevřeného díla. V otevřeném díle se autor vzdává nároku na 100% kontrolu nad průběhem a výsledkem díla. Je zde nutná autorova otevřenost k neočekávatelným změnám nebo situacím. Budu zde jen iniciátorem podmínek vzniku a tím kdo nastavuje výchozí pravidla, které se okolními vlivy a kontaktem diváka s dílem mohou ubírat různými směry. Vznikne tak spolu v interakci s přítomností diváka a jeho pohybu v prostoru amfiteátru široká škála akustických situací, které budou vznikat přímo na místě a budou neopakovatelné. Generativní nastavení kompozice tak umožní, že i když se divák vrátí na to stejné místo, tak zvuková zkušenost bude jiná. Moment očekávání je zde zcela a záměrně narušen. Každý tak individuálně zažívá jinou zkušenost prostorových a zvukových vztahů bez ohledu na časový rámec. Nevizuální vlastnost zvuku a jeho neviditelná existence něčeho prostorového tak zkoumá možnosti jeho nehmotných výtvarných prostředků. Nehmotnost zvuku divákovi otevírá prostor k vlastní imaginaci. Zvuk se stává prostorem a prostor zvukem. Všudypřítomné ticho amfiteátru je zde rovnocenným partnerem, který bude se zvukovou kompozicí rozehrávat dialog. Ticho je zde synonymem přítomnosti a stavem v jakém se toto místo teď a tady na své časové ose nachází. Instalace je tak zvukovou sondou do minulosti místa ve vztahu k přítomnosti.
"Program lesního amfiteátru hlásí vyprodáno!....Novou generací posluchačů důstojně nahradil mladý les. Příroda si prostor bere zpět a jakoby měla chuť vyzkoušet si jaké je to být naslouchajícím publikem. Zdá se, že je mnohem trpělivější a otevřenější k vytvořené dramaturgii místa."
The theme and the outcome of my diploma thesis will be a multi-channel sound art installation situated within the context of the Forest Amphitheatre in Liberec, in Lidové sady. The Amphithea- tre's location is at a symbolical border between the urban and the natural landscape of Jizera moun- tains, and its architectural form dictates that an art installation be made here. From a technical standpoint, the installation will feature 8 reproductors located throughout the amphitheatre, each of them representing a sonic object with its own set sound composition the creation of which will be based on on the principles of generative music. Authentic sound recor- dings from the time of the amphitheatre's active years will be used as sources for my work with sound, they will be processed with a regard for the aesthetics of granular synthesis and tape music, so that their origin is not so clear upon hearing them for the first time. The concept of open work will also be a core aspect of the installation. An open work's author enti- rely gives up on the course and the outcome of the work, the author is required to be open and ready for unexpected changes and situation. As the author, I will only be an initiator of the circumstances and the conditions of the starting point, which may shift in any way through outside influences or through a contact with the listener, or participant. Through interactions with the participants and their movement throughout the amphitheatre, many different acoustic situations will take place, and those will be experienceable only then and there, they will not be repeatable. The generative nature of the composition will make it possible for the viewer to return to exactly the same place, and have the sound situation be completely different. The moment of expectation is purposefully overthrown. Everyone individually experiences a different kind of spatial and temporary context. The non-visual character of sound, its invisible existence, the immateriality of it opens up space for the parti- cipants' imagination. The sound becomes space and the space becomes sound. The all-encompas- sing silence of the amphitheatre is an equal partner to the sound composition that turns into a di- alogue. The silence is a synonym of the present, the condition of here and now on the timeline of its life. The installation is a probe into the history of the place, in relation to the present. "The forest amphitheatre reports that it is sold out! The newest generation of listeners has been re- spectfully replaced by a young forest. Nature takes space back for herself as if she also wanted to try becoming an audience. She seems a lot more patient and open to the programme."
The theme and the outcome of my diploma thesis will be a multi-channel sound art installation situated within the context of the Forest Amphitheatre in Liberec, in Lidové sady. The Amphithea- tre's location is at a symbolical border between the urban and the natural landscape of Jizera moun- tains, and its architectural form dictates that an art installation be made here. From a technical standpoint, the installation will feature 8 reproductors located throughout the amphitheatre, each of them representing a sonic object with its own set sound composition the creation of which will be based on on the principles of generative music. Authentic sound recor- dings from the time of the amphitheatre's active years will be used as sources for my work with sound, they will be processed with a regard for the aesthetics of granular synthesis and tape music, so that their origin is not so clear upon hearing them for the first time. The concept of open work will also be a core aspect of the installation. An open work's author enti- rely gives up on the course and the outcome of the work, the author is required to be open and ready for unexpected changes and situation. As the author, I will only be an initiator of the circumstances and the conditions of the starting point, which may shift in any way through outside influences or through a contact with the listener, or participant. Through interactions with the participants and their movement throughout the amphitheatre, many different acoustic situations will take place, and those will be experienceable only then and there, they will not be repeatable. The generative nature of the composition will make it possible for the viewer to return to exactly the same place, and have the sound situation be completely different. The moment of expectation is purposefully overthrown. Everyone individually experiences a different kind of spatial and temporary context. The non-visual character of sound, its invisible existence, the immateriality of it opens up space for the parti- cipants' imagination. The sound becomes space and the space becomes sound. The all-encompas- sing silence of the amphitheatre is an equal partner to the sound composition that turns into a di- alogue. The silence is a synonym of the present, the condition of here and now on the timeline of its life. The installation is a probe into the history of the place, in relation to the present. "The forest amphitheatre reports that it is sold out! The newest generation of listeners has been re- spectfully replaced by a young forest. Nature takes space back for herself as if she also wanted to try becoming an audience. She seems a lot more patient and open to the programme."
Description
Subject(s)
prostorový zvuk, zvuková situace, generativní hudba, granulární syntéza, sampling, tape music, soundscape, dialog s tichem, ztracené nahrávky, motiv hranice, událost v čase, prosto- rové vztahy, prostor pro imaginaci, intervence v nevýstavním prostoru.