Vlivy postmoderny ve filmech Guye Ritchieho Sherlock Holmes a Sherlock Holmes: Hra stínů
dc.contributor | Marková Michaela, Mgr. Ph.D. : 58162 | |
dc.contributor.advisor | Klapcsik Sándor, Ph.D. : 62947 | |
dc.contributor.author | Splítek, Adam | |
dc.date.accessioned | 2021-03-02T04:36:13Z | |
dc.date.available | 2021-03-02T04:36:13Z | |
dc.date.committed | 2019-4-30 | |
dc.date.defense | 2020-09-07 | |
dc.date.issued | 2018-4-30 | |
dc.date.submitted | 2018-4-30 | |
dc.date.updated | 2020-9-8 | |
dc.degree.level | Bc. | |
dc.description.abstract | Tato bakalářská práce se zabývá dvěma filmovými adaptacemi ságy Sherlocka Holmese od režiséra Guye Ritchie: Sherlock Holmes a Sherlock Holmes: Hra stínů. V těchto filmových adaptacích hledá a následně vysvětluje vliv postmoderny a postmoderní etiky. | cs |
dc.description.abstract | This bachelor thesis deals with two film adaptations of the Sherlock Holmes saga directed by Guy Ritchie - Sherlock Holmes and Sherlock Holmes: A Game of Shadows. It detects and explains the influences of postmodern style and ethics in these two films. | en |
dc.description.mark | ||
dc.format | 65 s. | |
dc.format.extent | ||
dc.identifier.signature | V 202102623 | |
dc.identifier.uri | https://dspace.tul.cz/handle/15240/159905 | |
dc.language.iso | an | |
dc.relation.isbasedon | Breen, Deborah. 2012. Mobility, Interrupted: Narrative, Perception, and Identity in Sherlock Holmes: A Game of Shadows. Transfers 2 (3): 170-176. doi:http://dx.doi.org/10.3167/trans.2012.020313. | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Farghaly, Nadine. 2015. Gender and the Modern Sherlock Holmes: Essays on Film and Television Adaptations since 2009. Jefferson: McFarland. | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Geraghty, Lincoln. 2015. Popular Media Cultures Fans, Audiences and Paratexts. Popular Media Cultures. Basingstoke: Palgrave Macmillan. | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Jameson, Fredric. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham: Duke University Press. | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Nicol, Bran. 2013. Sherlock Holmes Version 2.0: Adapting Doyle in the Twenty-First Century. In Sherlock Holmes and Conan Doyle, edited by Sabine Vanacker and Catherine Wynne, 124-139. London: Palgrave Macmillan | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Polasek, Ashley D. 2012. Sherlockian Simulacra: Adaptation and the Postmodern Construction Of Reality. Literature/Film Quarterly 40 (3): 191-196. https://search.proquest.com/docview/1028003163?accountid=17116. | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Porter, Lynnette R. 2012. Sherlock Holmes for the 21st Century: Essays on New Adaptations. Jefferson: McFarland. | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Porter, Lynnette R. 2016. Who is Sherlock?: Essays on Identity in Modern Holmes Adaptions. Jefferson: McFarland | |
dc.relation.isbasedon | ||
dc.relation.isbasedon | Reisenleitner, Markus. 2014. It's a Kind of Magic: Situating Nostalgia for Technological Progress and the Occult in Guy Ritchie's Sherlock Holmes. Imaginations: Journal of Cross-Cultural Image Studies/revue d'études interculturelle de l'image 5 (1): 122-134. | |
dc.rights | Vysokoškolská závěrečná práce je autorské dílo chráněné dle zákona č. 121/2000 Sb., autorský zákon, ve znění pozdějších předpisů. Je možné pořizovat z něj na své náklady a pro svoji osobní potřebu výpisy, opisy a rozmnoženiny. Jeho využití musí být v souladu s autorským zákonem https://www.mkcr.cz/assets/autorske-pravo/01-3982006.pdf a citační etikou https://knihovna.tul.cz/document/26 | cs |
dc.rights | A university thesis is a work protected by the Copyright Act. Extracts, copies and transcripts of the thesis are allowed for personal use only and at one?s own expense. The use of thesis should be in compliance with the Copyright Act. https://www.mkcr.cz/assets/autorske-pravo/01-3982006.pdf and the citation ethics https://knihovna.tul.cz/document/26 | en |
dc.rights.uri | https://knihovna.tul.cz/document/26 | |
dc.rights.uri | https://www.mkcr.cz/assets/autorske-pravo/01-3982006.pdf | |
dc.subject | Sherlock Holmes | cs |
dc.subject | Sherlock Holmes: Hra stínů | cs |
dc.subject | detektiv | cs |
dc.subject | vyšetřování | cs |
dc.subject | postmoderna | cs |
dc.subject | film | cs |
dc.subject | kniha | cs |
dc.subject | Guy Ritchie | cs |
dc.subject | kinematografie | cs |
dc.subject | Londýn | cs |
dc.subject | pastiš | cs |
dc.subject | steampunk | cs |
dc.subject | multikulturalismus | cs |
dc.subject | Sherlock Holmes | en |
dc.subject | Sherlock Holmes: A Game of Shadows | en |
dc.subject | detective | en |
dc.subject | investigation | en |
dc.subject | postmodernism | en |
dc.subject | film | en |
dc.subject | book | en |
dc.subject | Guy Ritchie | en |
dc.subject | cinematography | en |
dc.subject | pastiche | en |
dc.subject | steampunk | en |
dc.subject | multiculturalism | en |
dc.title | Vlivy postmoderny ve filmech Guye Ritchieho Sherlock Holmes a Sherlock Holmes: Hra stínů | cs |
dc.title | Postmodern Influences in Guy Ritchie's Sherlock Holmes and Sherlock Holmes: A Game of Shadows | en |
dc.type | bakalářská práce | cs |
local.degree.abbreviation | Bakalářský | |
local.degree.discipline | NJ-AJ | |
local.degree.programme | Specializace v pedagogice | |
local.degree.programmeabbreviation | B7507 | |
local.department.abbreviation | KAJ | |
local.faculty | Fakulta přírodovědně-humanitní a pedagogická | cs |
local.faculty.abbreviation | FP | |
local.identifier.author | P16000261 | |
local.identifier.stag | 38222 | |
local.identifier.verbis | ||
local.identifier.verbis | kpw06676505 | |
local.note.administrators | automat | |
local.note.secrecy | Povoleno ZverejnitPraci Povoleno ZverejnitPosudky | |
local.poradovecislo | 2623 |
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