Autoreflexivity in Kehlmann’s Plays Ghosts in Princeton and The Journey of the Lost

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dc.contributor.authorMizerová Nikolacs
dc.date.accessioned2022-01-29T19:04:15Z
dc.date.available27-15-2021en
dc.date.available2022-01-29T19:04:15Z
dc.date.issued2021-01-01cs
dc.format.extent14cs
dc.identifier.doihttps://doi.org/10.5817/TY2021-2-3
dc.identifier.issn1803-845Xcs
dc.identifier.urihttps://dspace.tul.cz/handle/15240/162276
dc.language.isogercs
dc.publisherMUNI PRESScs
dc.publisher.cityBrnocs
dc.relation.ispartofTheatralia: revue současného myšlení o divadelní kultuřeen
dc.relation.ispartofseries1cs
dc.relation.urihttps://www.phil.muni.cz/journals/index.php/theatraliacs
dc.subjectDaniel Kehlmanncs
dc.subjectdramatic work of Daniel Kehlmanncs
dc.subjectcontemporary German-language theatrecs
dc.subjectcritical use of dramatic formcs
dc.subjectminimalismcs
dc.titleAutoreflexivity in Kehlmann’s Plays Ghosts in Princeton and The Journey of the Losten
dc.titleAutoreflexivität in Kehlmanns Dramen Geister in Princeton und Die Reise der Verlorenencs
local.citation.epage15-28cs
local.citation.spage15-28cs
local.identifier.publikace8973
local.relation.issue2cs
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