Standing balance of professional ballet dancers and non-dancers under different conditions

Simple item page
dc.contributor.authorJanura, Miroslav
dc.contributor.authorProcházková, Markéta
dc.contributor.authorSvoboda, Zdeněk
dc.contributor.authorBizovská, Lucia
dc.contributor.authorJandová, Soňa
dc.contributor.authorKonečný, Petr
dc.date.accessioned2020-05-04T09:16:56Z
dc.date.available2020-05-04T09:16:56Z
dc.date.issued2019-10-22
dc.description.abstractBallet training has been reported to positively influence balance ability. It is not entirely clear how improved balance ability manifests under standing conditions with different demands on postural control. The aim of the study was to compare balance of ballet dancers and nondancers in a unipedal stance under different conditions. Twenty-five professional ballet dancers and twenty-five controls completed four unipedal standing balance tests: firm surface with eyes open and closed; foam mat surface with eyes open; and firm surface with eyes open immediately after performing ten 360 degrees whole-body turns. The centre of pressure (COP) data were obtained with a force platform and the direction-specific standard deviations, velocities, and sample entropy of the COP displacement were computed. A three-way analysis of variance was used to compare groups, genders, and conditions. For standing immediately after performing ten turns, the postural sway parameters were significantly larger in the control group compared to the ballet dancers in both men and women. In this stance condition the values of postural sway and COP velocities in the control group were larger in the men compared to the women. For both genders in the control group all postural sway and COP velocity parameters were larger in standing with eyes closed and standing after performing 10 turns compared to standing with eyes open on both firm and foam surface. In the ballet dancers all COP velocity parameters were larger in standing with eyes closed compared to all other conditions. The results from the present study indicate that professional ballet dancers do not have a better general balance ability than untrained subjects.cs
dc.format.extent12 strancs
dc.identifier.WebofScienceResearcherIDW-9347-2018 Jandová, Soňa
dc.identifier.doi10.1371/journal.pone.0224145
dc.identifier.orcid0000-0003-4459-5248 Jandová, Soňa
dc.identifier.urihttps://dspace.tul.cz/handle/15240/154794
dc.identifier.urihttps://www.ncbi.nlm.nih.gov/pmc/articles/PMC6804995/
dc.language.isocscs
dc.publisherPUBLIC LIBRARY SCIENCE, 1160 BATTERY STREET, STE 100, SAN FRANCISCO, CA 94111 USA
dc.relation.ispartofPLOS ONE
dc.subjectPOSTURAL CONTROLcs
dc.subjectSPECIFICITYcs
dc.subjectREGULARITYcs
dc.subjectHIPcs
dc.subjectEXPERTISEcs
dc.subjectDEPENDScs
dc.subjectVISIONcs
dc.subjectSTANCEcs
dc.titleStanding balance of professional ballet dancers and non-dancers under different conditionscs
local.article.numbere0224145
local.identifier.publikace6793
local.relation.issue10
local.relation.volume14
Files
Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Standing balance of professional ballet.pdf
Size:
784.47 KB
Format:
Adobe Portable Document Format
Description:
článek
Download
License bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
license.txt
Size:
1.71 KB
Format:
Item-specific license agreed upon to submission
Description:
Download
Collections